(Bild: Fotografie „Untitled_2020“, Erika Matsunami, On Transculturality in threefoldness)

On symbolism and its transformation in threefoldness (Thereby 'threefoldness' is on the top of ring that is the reflection of the blue sky through the window. This photograph is a digital photography and a poetic image without CG.)

The question is 'What is symbolism?'

'N' itself is not a symbol. Hereby 'N' has no meaning.

The topic is post-doc topic in the digital photography includes atention theory. I started to exolore with the digital camera practically.

Idea of the motif in the photography:

Stagig (fictive) photography and its performativity

It was the subject from 2018 to 2020 to play a bad roll in the art (not only play a beautiful roll) towards the question of goodness and badness in the art (aeshtetics, ethics and moral in the art)

Without transformation, it does not work becasue of 'Idealisim' in the art.

– deconstruction of good and bad binary decision

(Aufgrund der Corona-Pandemie und des Lockdowns im Jahr 2020 musste ich dieses Projekt in 2020 zusammen mit dem Projekts N.N -Zwischenliegend aufhören.)

Projekt B.O.D.Y. – Die Kunst/künstlerische-Forschung zur Körpermoderne in der Kunst (Arbeitstitel)

– transformative processes

- FROM THREEFOLDNESS TO MULTI-FOLDNESS

- WHAT IS A MUSICAL ERROR?

- FROM MULTI-FOLDNESS TO MANIFOLDNESS - ON NATURAL SPACE

Projekt und Artistic research (Auswahl):

- Sensation of Motion in Time

- deflection - Rasen-jo no jikan

- transformation

- B.O.D.Y.

- still/silent (The content of the catalog „still/silent“)

- B.O.D.Y.

- 10 DAYS + 10 DAYS WORK IN PROGRESS

- REFLECTION ON THE AUDITORY AND VISUAL ASPECTS OF 'SITE-SPECIFIC' IN ARTS